Review: Superman and Lois

 Something that has become increasingly clear, that when the great pendulum swung in one fell swoop in popular movies, from camp to gritty, the movie makers forgot something rather important.

Humour.

True, there are moments of comic relief in Marvel films and DC and they are quite funny. No arguments here. One could make the argument that Robert Downey Jr's main purpose was to provide the levity when everyone else was in a brooding stare.

But there is a difference between a few moments of levity and imbuing each of the characters with heart and a sense of humour.

And that is important, especially with a character like Superman. Sure, he has the weight of the world on his shoulders and that's all well and good. But if he's just a strong guy working hard to prop up a few buildings full of people and rescuing cats up trees, then they've missed something crucial.

And the basis for Superman, of course, being Clark Kent, means giving that character a real smile and the ability to use it.

So in this series, we have Tyler Hoechlin stepping into some really big shoes. And all worries are instantly diminished to powder, his Clark Kent and by extension, Superman, is a big dag. (I believe the American translation is goofball). Dag is a term of great affection and it suits this character right down to the ground. He is able to grin and laugh properly - in a completely cute and adorable way and be a family man for and to his wife (Bitsie Tulloch) and two sons, the latter aren't doing great. 

This is very much a modern Superman story, with modern issues right along with it, but that doesn't mean you lose sight of the original Superman ideas and fun of being in the suit and cape. Both ideas are merged together beautifully and the series thus far have met my expectations in a big way.

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